Her break into big-time show business came in February 1955, when she turned down $30 to appear on a Swainsboro radio station to see Red Foley and a touring promotional unit of his ABC-TV program Ozark Jubilee in Augusta. An Augusta DJ convinced Foley to hear her sing before the show. Foley was as transfixed as everyone else who heard the huge voice coming from the tiny girl and immediately agreed to let her to perform "Jambalaya" on stage that night, unrehearsed. Foley later recounted the moments following her introduction:
"I still get cold chills thinking about the first time I heard that voice. One foot started patting rhythm as though she was stomping out a prairie fire but not another muscle in that little body even as much as twitched. And when she did that trick of breaking her voice, it jarred me out of my trance enough to realize I'd forgotten to get off the stage. There I stood, after 26 years of supposedly learning how to conduct myself in front of an audience, with my mouth open two miles wide and a glassy stare in my eyes".
The audience erupted in applause and refused to let her leave the stage until she had sung three more songs. On March 31, 1955, the 11-year-old made her network debut on Ozark Jubilee in Springfield, Missouri, and became a regular performer for the next five years.
Less than two months later - on July 30, 1956 - Decca Records offered her a contract, and her first record was "Jambayala" backed with "Bigelow 6-200." Brenda's second single would feature two novelty Christmas tunes: "I'm Gonna Lasso Santa Claus," and "Christy Christmas."
Though Brenda turned 12 on December 11, 1956, both of the first two Decca singles credit her as "Little Brenda Lee (9 Years Old)."
Neither of the 1956 releases charted, but her first issue in '57, "One Step at a Time," became a hit in both the pop and country fields. Her next hit, "Dynamite," coming out of a 4 ft 9 inch frame, led to her lifelong nickname, Little Miss Dynamite.
Lee first attracted attention performing in country music venues and shows; however, her label and management felt it best to market her exclusively as a pop artist, the result being that none of her best-known recordings from the 1960s were released to country radio, and despite her country sound, with top Nashville session people, she did not have another country hit until 1969, and "Johnny One Time."
